Seemingly another typical male gaze centric, somewhat problematic (in today's standard) pink film took a sudden left turn所以毕竟是2002年拍的强开少妇嫩苞又嫩又紧九色可以看成是对pink film有commentary的反转虽然这里empowerment的工具仍然是女性身体本身后半段放飞后的确比前面的pink有意思包括lovecraftian imagery还有overtly invoking "film as voyeurism" by showing some surreal lynchian club scene导演自己出演手持相机的stalker也许可算是又一层面上的meta commentary本质上是他的干预完全改变了这对夫妇的生活——电影的力量(看到一种解读说stalker的角色也许并不存在)
十分静默优美干净克制的表达有安静而真挚的情意、哀思、与憾恨那些温柔悲悯的日常细节也很动人Poetically meditating on the enormity of loss, the immense aloneness of grief, and the bittersweetness circle of found and lost and found throughout life journey. 出殡那一系列镜头太美了;在无尽的海潮声里他们默然行于山中雪絮倏忽飘入林间;在辽阔的密云之下她沿着海岸线尾随这一队人;最后在日光将逝、火光未尽的海边她向他袒露悬而未决的困惑与痛楚他对她提起或许每人都能遇到的私人而隐秘的“强开少妇嫩苞又嫩又紧九色”时刻生与死的形态死的余烬在生里