the last scene where the father questions God is memorable. I wonder why the parents don't ask a man to ride with the daughter. Ingmar said he never wanted to send a message in his film, but this one has. Ingmar didn't use music to serve the drama much. He uses instinct too much
雏菊。:121.76.149.137
“我给你我的寂寞我的黑暗我心的饥渴我试图用困惑、危险、失败来打动你”像衣箱底的华丽深藏试残了旧了仍有气喘吁吁的血颓废有时令人沉醉337p扒开每个人似是而非的游离善恶边缘酒醒月明下梦逐潮声去指尖下逝去生命的面孔停滞的时间This is all we are泣不成声