作为political activist的Nan Goldin和其作为专注私人影像的artist无法割裂Goldin女士queer的身份总是让我想起“ The personal is political”这句老话她选择摄影作为回望自身的媒介与导演选择将天之声的权力交还与拍摄对象我唾弃你的坟墓形成了一种元影像的迷人魅力双线的叙事与其是在是将过去和现在进行连接不如说在在构建作为fighter的Nan Goldin与我个人而言Nan Goldin有一种幸存者的自觉她的影像总给我一种她在过去那段queer life送葬正是因为她幸存了经历了才总有继续抗争下去的能量
每一秒都完美到不可置信Jake一切对自己选择的犹豫和摇摆不定都在他对Amy微笑的一瞥中消失殆尽那个决定并不艰难因为他知道他失去的东西远远没有他所保留的一半珍贵"Goodbyes are inherently sad. They mean that something's ending. And this one is especially sad, because what we had was so great. But it's not all sad, right? We're moving on to things that we love. And we'll always have the memories of our times together..."