为一个无法留下证据的奇迹戏里戏外大动干戈自W到高C的25种方法带图这种纯粹的理想主义疯狂让看见它的人如入梦中为之癫狂崇拜菲茨也崇拜赫尔佐格所描写的处境:受限的沟通、令灵魂战栗的自然、为信仰苦行、被资本和权力监禁以及这种处境中浪漫而温柔的白日梦英雄主义(为什么没让那只猪坐在红丝绒椅子上呢too much
some good moments of juxtaposition, e.g. its commentary on sex, labor, mass production, violence etc. But also a lot of moments seem contrived, and definitely disputable among non-fiction filmmakers. Not too different from Baraka.