男人都太坏姐妹才有爱对琐碎细节的纪录片式关注固然使影片摆脱了过重的情节剧痕迹却也压过了作为公路片内核的非预期遭遇小别离电视剧因此很难说角色与纽约(where "you are forced to interact with people who are just nothing with you")产生了空间互动于是在整体的单薄基调下唯一的遭遇(with男主)也凸显出其操纵和建构性质——倒是应和了导演激烈的批判姿态
Because it's Resnais. “廉价的故事”And yet something insufferably beautiful about it. 纠缠不断欲语还休只是现在让我觉得要去写任何这样的电影 包括比如Eternal Sunshine 都是一种羞辱;coherency is an illusion, unconsciousness is the reality;你的名字是Hiroshima我的名字是Nevers