此前对Seyrig的印象还是L'année dernière à Marienbad和Akerman那部永远的Jeanne Dielman虽说都是激进大胆的影片但没有想到她在片场外对女性主义运动和摄影的参与程度有这么深也没有想到她对影像政治/社会性的体认如此灵动和敏感人人能举起的手持摄影机让原先被资本层层筛选的影像焕发出颠覆性与政治性的可能她们是影中人也是制造影像的人50年过去我们仍然在接受那个年代的馈赠以及审视——你是否完全明白了她们的愤怒和决绝你是否愿意接手这份未完成的使命
看了宗萨蒋扬钦哲仁波切的“It’s like playing cards, once the cards are given to you, you don’t have much choice. You have to play with that, you only have control with whatever you have. But you can also learn to not to play the card. So that you don’t even have to go through the burden to go through your cards.”