可以窥见导演对旧金山近乎痴迷的爱恋关于一个种族群体对家庭对城市的那种最本真的归属感原生家庭的阵痛与隐性偏见、歧视下塑造出的黑人群像的确超越了那种政治意识输出下的刻板blackman和nigga是有区别的SFer和the man lives in SF也是有本质不同的藉于家族荣誉中寻得的满足化为泡影后却发现原来自己一直都是可悲的失心疯人在旧金山心却早已被时间浪潮所磨灭殆尽也许不是旧金山最后一个真正还生活着享受着自己被上帝所赋予着意义和自豪感的黑人而是旧金山最后一个还真正尝试着不被时代所吞噬的人目前个人最佳的一部A24电影配乐质感剪辑运镜都是难以置信的高水准XXXXXL196_MAY18_整体观感的连续性和故事性画面感都很棒对于一个处女导演出道即巅峰很不容易
Not a satire, certainly not a shitshow either, just an honest representation of how corruptive and exploitative the industry is. Its extensive, unreserved use of nudity and sexual scenes doesn't stop at being scandalous but go past it to urge the audience to avert their gaze. Showing something is not equal to being something - it can be the exact opposite. Showgirls accomplished this simply by being honest - no preaching, no evasions - the way it's handled is so succinct and effortless it's marvelous to see. And the fact that the leading actress was subsequently dropped by her agent and rejected by others - isn't that the most powerful and ironic vindication of how true the film actually is?