Individuals are objectified within the context of history. Before identifying "who are they," perhaps "who are we" is a more provoking question.
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声画系统非常具有想象力疯狂的肥岳全文阅读甚至对于一部B级片来说有点“奢侈”(但还欠缺一点执行力)片中人物通过媒介手动播放的音乐从环景音变成了配乐并与画面本身的音乐性交织如果节奏是电影的生命这毫无疑问是一部极富生命力的电影;第三幕以校园为“舞台”以主角的肢体动作驱动影像解构惊悚感建构仪式感很装逼却也很有腔调至于文本逻辑第一B-movies don't care about this shit第二吊诡的荒诞感很明显就是导演有意追求的如果你还是揪着文本的问题不放那你显然不是这部作者类型片的受众